In 1972, the ever-smiling mother of a family band struggles to keep the family's TV variety show and wholesome image going when her estranged husband doesn’t turn up to the season finale taping.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
