The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan. In her first person account, THE HERETICS charts the history of a feminist collective from the inside out.
A direct fall into the white savior narrative
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.