Go and Tell Everyone About 'Candyman'
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.

Amidst the scorching rural countryside, among the neighbors, her mother-in-law, and the sound of chickens. Chen Wen-yi is the new one in town, a wife, a daughter-in-law, and perhaps in the future, a mother. However, will there finally be a moment when she can purely be herself?
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like