The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for

The Hannibal Directive was a highly classified military order used by the Israeli army. It was created in 1986 by three top army commanders and outlined the measures to be taken if an Israeli soldier was captured during combat. The order intended to prevent the enemy from escaping with the captured soldier, even if it meant putting the soldier's life and the lives of civilians at risk. The Hannibal Directive was last implemented during the 2014 Gaza War, also known as Operation Protective Edge, during which over 2,000 Palestinians and 72 Israelis were killed. On August 1, 2014, the Israeli Army invoked the Hannibal Directive at Rafah in southern Gaza to prevent Hamas fighters from fleeing with a captured Israeli officer. The intense action that followed resulted in the deaths of at least 135 civilians, 75 of whom were children. Amnesty International and other NGOs have labelled the events of that day, referred to as "Black Friday," as a war crime.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Chickenhare and the Hamster of Darkness explores true identity through exploration.
It's chock full of dream-come-true moments for Spidey fans, but its lack of substance reeks of a self-indulgence that is rare even in fan fiction
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.