Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.