'Easy A' Is Pretty Anti Sex
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.

In The Green-Eyed Monster a young woman named Pamela (Kelly Chaisson Warner) is contacted by a mysterious voice from "beyond the grave" over a dead channel on the radio one Halloween night. Could this otherworldly house call be her salvation...or the beginning of her end?
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
“Reboot” can be crass and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.