1908, Paris. Over three fever-dream nights in the Hotel Biron, poet Rainer Maria Rilke encounters the ghost of his good friend, artist Paula Modersohn-Becker, who died shortly after giving birth to her first child. In response to this haunting, Rilke writes his epic prose lament, "Requiem for a Friend", as a tribute to Paula and to women torn between choosing a life sacrificed to Art or to Motherhood. One hundred years later, three women - a painter, an actress and a dancer - and a theatre director prepare to stage Rilke's "Requiem" in Berkeley California as abstract performance ritual.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
The death of Grace's father brings challenges as the family tries to preserve their ranch.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
