Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
The Great Wall of Japan (2018)
After the disaster of March 2011, the Japanese authorities decided to build a gigantic 15 meter high, 500 kilometer long, anti-tsunami wall, separating the land and the ocean. But what is the environmental and human impact of this wall? The population is divided on their opinion: should they cut the island off from the sea or stay vulnerable to tsunamis? Is there another way?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
After the disaster of March 2011, the Japanese authorities decided to build a gigantic 15 meter high, 500 kilometer long, anti-tsunami wall, separating the land and the ocean. But what is the environmental and human impact of this wall? The population is divided on their opinion: should they cut the island off from the sea or stay vulnerable to tsunamis? Is there another way?
Rating:
Genre:Documentary
Written By:
In Theaters:1/1/2018
Box Office:
Runtime:51 minutes
Studio:MagellanTV
Cast
Articles You May Like
Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Indie Film "Where There is Love, There is No Darkness" Shines
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
Where The Tracks End in Mexico
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.