Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.

Frank Morgan is hired to put together a movie using odds and ends from the MGM vaults. He does so by splicing together a string of completely unrelated short subjects and musical numbers, interspersed with a repeated loop of a scene from some melodrama. (Contains in their entirety the shorts, "Musical Masterpieces," "Our Old Car," and "Badminton," as well as clips from other projects)
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.