Kill Bill: Volume 1 Review
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

In this high-camp farce, Goons legend Spike Milligan stars as William Topaz McGonagall, an unemployed Scottish weaver and aspiring poet laureate who falls in love with Queen Victoria - a brilliant cameo by Peter Sellers - and thereafter devotes his banal poetry to her. Though McGonagall's solicitations are rejected by the Queen, it doesn't stop the turgid prose, and pathos, from overflowing as McGonagall hilariously attempts to become the greatest poet in the land. The image of the bad poet, trapped by his romanticism and inspired by a muse with a tin ear, appealed mightily to Spike Milligan, and this cult British spoof features the Goons show maestro at his ridiculous, genre-defying best.
Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets