'Don't Look Up' Wasn't Much to Look Up to
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.

While working the graveyard shift at a newspaper factory with his three best friends, Dalen Gus has plans to write the next big screenplay for Hollywood. But when Dalen meets Ellie, the new and eccentric girl at work, he's immediately veered off course from his ambitious path. Ellie lures Dalen down a dark, twisted road that takes him completely out of his comfort zone.
Adam McKay might have been more concerned with cramming cameos than he was in this story which is a bloated criticism of the rich and famous… delivered unto us by the rich and famous.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
'Rag Tag' encompasses the diversity within the African Diaspora by showing London Nigerian men learning to regulate their emotions while navigating love and societal pressures.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
A legacy based on the comic strip for old and new fans of Peanuts.