
In Marseilles, the fisherman Tonin closely monitors the actions of the wreckage workers led by a certain Mr. Léon. Could these bizarre individuals have something to do with the double murder at the Grand Hotel?
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.