'Easy A' Is Pretty Anti Sex
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.

Adrift in the lush, nocturnal urban landscape of THE GRAFFITI ARTIST, Nick (Ruben Bansie-Snellman) is a post-modern urban hero asserting his anarchistic agenda on the endless maze of virgin exterior walls that comprise downtown Seattle and Portland. For this iconoclastic young visionary, the vast wall surfaces of deserted alleys and train yards are at once a daunting symbol of capitalist oppression and a texturally rich, seamless tableau ripe for exploitation to amplify his artistic dialectic of anger and rebellion.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
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Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.