"Le Bonheur" and the Feminism of Varda
Effortlessly beautiful and surprisingly tragic.

Victor Grach and Leonid Osadchy are dangerous criminals. Considering himself a strong and independent person, who is allowed everything, Victor wants to see his younger brother Shurka as well. And he, obeying the authority of Victor, becomes an involuntary participant in serious crimes and, in the end, is in the dock. A sentence is not passed for a long time, because it is important for a judge to understand the degree of guilt of each of the brothers, to get to the bottom of the truth, to find out what turned ordinary guys into robbers and killers.
Effortlessly beautiful and surprisingly tragic.
A world of expansion awaits.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.