Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.

Oliver is a banker and portfolio manager and leads a life in the fast lane, which one day comes to an abrupt end, as he builds a self-inflicted accident on highway with 230 km / h and raced through a guardrail. When he wakes up in the hospital again, he faces a devastating diagnosis: paraplegia. Actually, a rehabilitation stay of several months is planned in the hospital, but Oliver soon falls on his head and ends up in a disabled shared flat with the name "Die Goldfische"
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.