'The Invisible Man' (2020)
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

A young boy is found delirious and frostbitten on a bridge in a small village nearby the Croatian-Hungarian border, claiming that he's had a supernatural encounter with a creature from local folklore in the nearby swamp. This incident splits the community in two; the superstitious civilians and the rational police officers and hunters who believe that the so-called "Ghost of the Swamp" is actually a poacher responsible for the recent local shortage of deer population. Witht the adults trapped in a seemingly unending stalemate, two tourists from Zagreb, Miron and Melita, alongside their best friend Liptus, decide to investigate the claims of the supernatural on their own.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Masterful satire that shines a light on the struggles of Black creatives.