The Kumiho family circus in town -- and with it, apparently, a mysterious murderer. The members of motherless family aren’t helping their case with their strange remarks about humans and their initial performances, cavalcades of dismemberment and torrents of blood which terrify the local kids. Pretty soon, a dour, downbeat cop is on the tail of the plucky, bumbling Kumihos. Or rather, tails -- “kumiho” is the word for the fox spirits of Korean mythology, and this clan from Nam Mountain near Seoul, temporarily disguised as people thanks to a magic spell, must eat human livers during a brief, once-in-a-millennium lunar eclipse to shed their foxy nature and assume permanent human form. When the sleazy reprobate on the run from mobsters stumbles into their eerie household, he soon finds himself a little too enthusiastically involved in their scheming after human flesh—and involved with the sexy elder-sister fox spirit as well!
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
Viola Davis is an EGOT pioneer and trailblazer advocating for diversity and opportunity in Hollywood. See the legendary actresses' rise to critical acclaim.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Marcel the Shell with Shoes On is the most human movie of the year. It is based on the 2010 short of the same name that follows a big-hearted, little shell named Marcel as he navigates through life in a human-sized world.
