Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Produced by David Barton in 1992, this documentary covers the early days of American government and provides a detailed account of the country's Founding Fathers and how they formed the First Amendment. The 25-minute film is designed as a tool to demonstrate that the current "separation of church and state" is something never intended by the Founding Fathers. It not only surveys the historical statements and records surrounding the original drafting of the First Amendment, but also shows what happened statistically when the 1962 court rejected the Founders' intent. It further shows that the current Court is beginning to return to and uphold many values previously struck down. This mini-doc gives an overview of the Founders' own understanding of the First Amendment and will be helpful to anyone who desires to know the truth about their interpretations.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
The way Jeannette has to deal with child neglect makes her insecure about her parents and how she was brought up and raised in the United States. This continues into adulthood, where Jeannette becomes a successful journalist and is frequently asked about her parents by others.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.