'Indiana Jones and the Dial of Destiny' (2023)
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.

Thunder Mountain somewhere in the American wilderness, has a reputation that has scared away travellers, both white and Indian, for hundreds of years. Undaunted by the ghost stories surrounding the mountain, a father decides it's just the place for him and his son to go camping and do a little bonding. Strange voices and stranger footprints around their campground try to warn the pair away, but Dad is unconcerned and blithely pushes on. Eventually, however, the two come face to face with the force standing guard over this forbidden mountain.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Growing up is a challenge for everyone.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch