Troll Hunter: Horror with a Playful Look at Religion
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.

Jia Fan, a locksmith from a small town, ventures into an ancient tomb with his childhood friend Li Mu and others in search of the truth about his origins. Upon discovering that he is a descendant of the "Faqiu" lineage, he awakens his ancestral skills and gathers the complete "Sixty-Four Character Secret Arts" from the tomb of the Faqiu founder. He then battles a grave-robbing gang led by Wu Laoda—a "Mojin Captain"—thereby preventing the tomb from being looted and safeguarding the local community.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
J Brooke, Incluvie Guest Columnist on 'Life and Beth' and 'Sort of': while living one’s truth is freedom, speaking it as a mandatory assignment can become captivity.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
The film reminds us to remember the people who had the courage and dignity that had made the world better, even when the memory was absent.
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.