Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

The Fool (2018) reclaims Ray Comfort's "Banana Man" mockery as bold evangelism. After Richard Dawkins ridiculed his intelligent design banana analogy, Comfort turns infamy into Gospel outreach—documenting street preaching, atheist confrontations, and Psalm 14:1 truth ("The fool says in his heart, 'There is no God'"). This isn't damage control for a "horrible analogy"—it's unashamed Christian apologetics celebrating ridicule as witnessing fuel. From Living Waters: defends creation, exposes unbelief, urges repentance. Pure faith-affirming testimony, not atheist gotcha.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.