Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Four-year-old Yang Yang lives with his single mother in Osaka. He has not seen his father, whom his Taiwanese mother met while studying in Japan, for months. A picture falls into his hands that shows the three smiling happily in front of a fireworks display. The painted picture brings back memories of the happy days as a family. The film sensitively accompanies the emotional world of the individual family members and accompanies worries and moments of happiness with which one can identify across national borders.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
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Neo Sora left a realistic and yet hopeful notion for the near future and the now.