'Mulan' and 'Whale Rider': Director Niki Caro's take on Gender Inequality
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.

A slice-of-life story unfolds inside The Florentine, a bar in a Pennsylvania steel town whose brightest days are behind it, leaving behind many of life's disillusioned "losers." Its owner, Whitey, is deep in debt to the town's loan shark, Joe McCollough, and desperate for a path forward which won't cost him the bar. His sister, Molly, is days away from her long-awaited nuptials, and then her former fiancé, Teddy, shows up in town for the first time since leaving her at the altar years before. Ne'er-do-well Billy Belasco runs a con on Frankie to steal the money for the wedding caterer, while long-time regular Bobby becomes a patron-cum-inhabitant as he hides from his fast-crumbling marriage to Vikki. Every plot in this multi-layered story seems to be at its nadir just as a pair of unlikely heroes emerge out of the backdrop to turn everything around.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.