A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

One bonfire-lit evening, Amang Baoy, an elderly Panay Bukidnon man, consoles his son, Rohan, by narrating through chant, a portion of the Suguidanon, an epic of the Indigenous Panay Bukidnon people of the Philippines, about love and resurrection. In an expression of hope and celebration, Amang Baoy imparts the Visayan hawk dance binanog to Rohan as they reminisce scenes from their Indigenous life.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Like most young people, Leviticus is imperfect. But I love it anyways.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics