A decadent noblewoman, whose stranded husband has dilapidated their whole fortune on gambling, tries to keep her daughter in school while hiding their state of poverty from her, by leading a double life as an exotic dancer.
Giorgio Simonelli
Director
Paola Barbara
Elena di Vigliè
Gustav Diessl
Giulio Boldrini
Luisella Beghi
Anna di Vigliè
Maria Jacobini
Maria di Vigliè
Aldo Silvani
Il conte Fabrizio di Vigliè
Carlo Minello
Paolo d'Avita
Nelly Corradi
Cristina d'Avita
Jone Salinas
Cecilia De Monteros
Fedele Gentile
Diego De Monteros
Tina Lattanzi
La baronessa d'Avita
Guglielmo Barnabò
Il barone d'Avita
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.