'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

A snowed-in holiday hotel. A dead body in a room locked from the inside. The hotel manager wants to cover it up, but in the blink of an eye the whole hotel knows about it. Among the guests is an inspector - or at least he convincingly claims to be - who, together with his assistant who has travelled with him, undertakes extensive investigations. Then even a second murder takes place!
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.