The Fight Over a Rembrandt 

Kill Bill: Volume 1 is a highly entertaining flick, designed to tap into our levels of adrenaline. Tarantino has crafted a cinematic winner, overflowing with nostalgic richness and a love for cinema.

If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.

Fjord, like its story, is not a conclusion, but a beginning. 

Here are some of our picks for inclusive Black love stories in film and media. We hope you enjoy these tender love stories and beautiful depictions.