A werewolf pursues campers in the Appalachian Mountains. Consumed by its legendary bloodlust, the creature begins the hunt for its oldest and most dangerous prey: Man. Special Agent Jack Driscoll has seen this before. The beast is his obsession and his nightmare. Now, he and his new partner must race against the rising moon to save a group of unsuspecting campers. Outmatched and unarmed, the frightened group must rally themselves to survive the night. As their numbers dwindle and their strength wanes, the group scrambles to answer the only question that will save their lives; how do you kill the unkillable?
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
