‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

The wolves are returning to a barren region in the Croatian-Dalmatian hinterland. Though the tourist destinations of the Adriatic coast are less than half an hour away, people in the deserted villages of Bukovica believe that "Brussels" represents evil and flies the wolves over by helicopter. Ana, a dedicated veterinarian, attempts to refute these theories and engage with the people on the ground.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
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