We need more action movies like 'The Old Guard'
This groundbreaking summer blockbuster proves that diversity enhances the action genre.

The Cosby Kids are rehearsing for a Christmas pageant at their junkyard clubhouse, which Tyrone, the mean old junkyard owner, is fixin' to tear down. That's when Marshall & his parents show up. With their car broken down, Marshall's mom is about to have a baby and his dad, without health insurance, inspires the gang to invite them in the clubhouse for shelter. Tyrone agrees to let them stay until the baby is born, in exchange for Fat Albert working for him as a sidewalk Santa. "Ho-ho-ho's" in Fat Albert fashion ensue. After the old hobo, Mudfoot, gives Tyrone a lecture about how he's been grumpy at the world ever since his wife died, the junkyard owner has a change of heart and promises to keep the gang's clubhouse in tact.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.