October 1992. A group of law students head to a remote home upstate where a girl disappeared two years earlier.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
