Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

"The Fall" depicts certain scenes in New York City between October 1967 and March 1968, shot by the independent filmmaker, Peter Whitehead. It is a very personal documentary, and Whitehead appears in a large number of scenes, and we hear his lengthy ruminations on the state of the United States and the war in Vietnam.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'