The Falcon in San Francisco (1945)

A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.

The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.