What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Renowned opera director David Pountney delivers a superlative production in this 1995 staging of British composer Henry Purcell's "The Fairy Queen," featuring Yvonne Kenny at Titania, Simon Rice as Puck, Thomas Randle as Oberon and Richard Van Allan as Thesus. Modern dance numbers blend deftly with baroque music as maestro Barry Griffiths conducts the English National Opera's orchestra and chorus.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.