'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Camilla Van Dam is in love with her rich father's poor employee, John Hamilton. Van Dam is against their marriage but proposes an arrangement to which Camilla agrees. Van Dam goes abroad with the understanding that she will not marry for a year or reveal her whereabouts to Hamilton. Announcing to the press that she is accompanying her father, Camilla instead gets a job as a chorus girl, takes an apartment, and supports herself. Hamilton finds her and joins in the deception until Van Dam's secretary tries to make off with the fortune on hearing the false rumor of Van Dam's death. Van Dam consents readily to his daughter's marriage when he returns.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.