Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.
Teodora Ana Mihai, Sharon Engelhart, Maša Šarović, Dušan Kasalica, Gabriel Tzafka, Yona Rozenkier, Neven Samardžić, Eleonora Veninova, Carolina Markowicz, Urška Djukić
Director
Mirjana Karanović
Mediha Musliović
Doroteja Nadrah
Marija Pikić
Jelisaveta 'Seka' Sablić
Alice Mihai
Andrea Aković
Mero Beganović
Muhamed Hadžović
Jelena Kordić
Lidija Kordić
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.