Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.

This film fable is not presented as an attempt to stop the natural course of existence, but as a way of approaching life and reconciling ourselves with its rules. Director Carolina Campo Lupo and Eliana were friends since they were teenagers, they grew up together and always accompanied each other, learning how to become women, mothers, friends and political beings. One day Eliana falls ill and, not knowing what to do, Carolina gives her her film camera as a way of dealing with the uncertainty. From that day on, together they begin to film their last encounters. With the camera as a witness, free and shared between adults and children, they go through the small moments of life; the everyday becomes transcendent and love emerges as the only thing capable of sustaining us.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7