Poverty In Black And White
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.

Paul Devlin’s fictional short stars James McCaffrey (co-star of Rescue Me) as Tony O’Neil, a talented, but very distracted neon artist. Tony loses everything he touches. And if he's not careful, that includes his girlfriend Corrin. Desperate, Tony seeks the help of Shah, a strange and powerful mystic who has learned to use science to achieve spiritual goals. Shah's newest invention is a pair of extraordinary glasses. Try them on, think of an object that's lost and in a moment, it can be seen. The glasses need field-testing and Tony is the perfect subject. At first, Tony is back in control, finding all the things he's lost. But the glasses are more complex than he ever imagined. Tony is about to discover that sometimes, the worst part of losing things, is finding them...
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.