
Mike, a recently divorced social worker in his early fifties, finds himself living in a grimy apartment across town with only his dog for company. Burying himself in work, his solitude is interrupted when an unknown woman starts calling to ask if he has seen Abigail? As the calls persist, he becomes increasingly concerned that perhaps he is not alone in this apartment after all.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.