“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

In Brazil, the inhabitants of Teewald, a German colony founded at the end of the 19th century, are still proud of their Germanic roots. Starting with the text of German-Turkish researcher Ilhami Paker, which uses irony to analyse different migratory movements, the film questions the complex process of constructing a national identity.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.