Storm & Starfire Colorism
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
The Exile
Young Makvalla, who loves the cowman Onise, is married off to the unloved есаul Gela Goderdzishvili, who has become rich in the service of the bailiff. Onise decides to run away with Makvalla, and during a fight at Gela's house, he is seriously injured. Makvalla disappears from Gela's house. The fugitive is saved from death and taken in by the hermit shepherd Onfrey.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Young Makvalla, who loves the cowman Onise, is married off to the unloved есаul Gela Goderdzishvili, who has become rich in the service of the bailiff. Onise decides to run away with Makvalla, and during a fight at Gela's house, he is seriously injured. Makvalla disappears from Gela's house. The fugitive is saved from death and taken in by the hermit shepherd Onfrey.
Rating:
Genre:Drama
Written By:Shalva Dadiani
In Theaters:
Box Office:
Runtime:54 minutes
Studio:"Gansakhkomi"
Articles You May Like
Hunt for the Wilderpeople
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
“Vivarium” Presents Go-Nowhere Parenting
'Blonde' Review: Like a Jeane in a Bottle, Except it’s a Cage
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Coming 2 America’s Subpar Feminist Subplot
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
Telling Other People’s Stories: Representation on Both Sides of the Camera
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.