“I Care A Lot” is Subversive Anti-Capitalist Camp Brilliance
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.

A manicurist gives up the honest love of a barberr to become the mistress of a wealthy broker. But she comes to hate the man who has caused her downfall, and her loathing peaks during a dinner party he is holding. Other guests include three other men and their mistresses. Each young lady gets a $100 bill as a party favor, tucked away in one of the meal's several courses. The broker proudly brags about how each bill was obtained by giving the screws to the lower classes.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes