Movie Review: Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

A rural schoolteacher boards a night train—the same one that passes by their school every morning. He has made up his mind to speak with the passengers, to ask them for a simple favor: to respond to his students, who stand by the tracks every morning, eagerly waving at the train. The children’s excitement is met with silence day after day, and the teacher hopes that, just for a moment, someone might wave back—and acknowledge their innocent longing with a simple gesture.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.