“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

Almost one hundred years ago, the project to reduce the world to mathematical physics failed suddenly and completely: “One of the best-kept secrets of science,” physicist Nick Herbert writes, “is that physicists have lost their grip on reality.” The world, we are now told, emerges spontaneously, out of “nothing,” and constitutes a “multiverse,” where “anything that can happen will happen, and it will happen an infinite number of times.” Legendary reclusive genius Wolfgang Smith demonstrates on shockingly obvious grounds the dead end at which physics has arrived, and how we can “return, at last, to the real world.” The End of Quantum Reality introduces this extraordinary man to a contemporary audience which has, perhaps, never encountered a true philos-sophia, one as intimately at ease with the rigors of quantum physics as with the greatest schools of human wisdom.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.