The End is a light hearted existential horror film about Joseph, a curious school teacher and Clara, his detective friend, who believes that his history of visions may help ensnare an elusive kidnapper. Half way into his mystery, Joseph has his most explosive vision, in a twist that turns on its ear our notions of conventional narrative cinema.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
It’s almost the end of the first month of 2021, and just over a week since the U.S. saw a new president take office. In light of the occasion, some of us highlighted our favorite political films below!
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
