“Driveways” Review
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.

In The Embassy, Filipa César takes an old album of colonial photos showing landscapes, people, architecture and monuments in Guinea-Bissau in the forties and fifties as a basis for thinking about the codes of representation of former Portuguese colonial power and the way memory is produced. Furthermore, these images are shown by a Guinean archivist who tells the story of his country seen through his own eyes.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Not a lot of people realize that being introverted is not always a permanent state of mind. Being considered an introvert by others is a complicated thing; not everyone likes being labelled “shy.”
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
David Fincher is back in his playpen, with a dark and chilling thriller.