Peppino, a diminutive taxidermist with a reputation for sleaziness, meets Valerio, a handsome if artless much younger man fascinated by the trade. Peppino offers him a large salary to be his assistant—the job burgeoning into a budding friendship he mistakes for something more. When Valerio gets a girlfriend, their fledgling romance will be threatened by an insanely jealous third wheel.
Matteo Garrone
Director
Ernesto Mahieux
Peppino Profeta
Valerio Foglia Manzillo
Valerio
Elisabetta Rocchetti
Deborah
Lina Bernardi
Madre di Deborah
Pietro Biondi
Padre di Deborah
Marcella Granito
Manuela
Beppe Arena
Proprietario officina
Bernardino Terracciano
Boss
Vincenzo Puocci
Scagnozzo #1
Renato Puocci
Scagnozzo #2
Valentino Puocci
Scagnozzo #3
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.