Foppish Sir Percy Blakeney, who secretly leads a double life as the daring rescuer of French aristocrats from the guillotine during the French Revolution, fights to save his brother-in-law while his wife is manipulated by the villainous Chauvelin into helping capture him, unaware of her husband's true identity.
Michael Powell, Emeric Pressburger
Director
David Niven
Percy "Scarlet Pimpernel" Blakeney
Margaret Leighton
Marguerite Blakeney
Cyril Cusack
Chauvelin
Jack Hawkins
Prince of Wales
Arlette Marchal
Contesses de Tournai
Gérard Néry
Philippe de Tournai
Charles Victor
Colonel Winterbotham
Danielle Godet
Suzanne de Tournai
Edmond Audran
Armand St. Juste
Eugene Deckers
Captain Merieres
David Oxley
Captain Duroc
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
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What happens to an inseparable bond when love for competing morphs into competing for love?
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.