The Electrifiers won the 1984 Best New Artist Award for a smash hit which no one remembers, and have been stuck in traffic on the fast track to international stardom ever since. Thirty years later, the band members continue to drag themselves between gigs at nursing houses and cheap B&Bs while their lead singer still believes he is a 20-year-old rocker. But just as everyone is about to become completely fed up with him, a surprising opportunity presents itself, which could propel the Electrifiers straight to the top.
'Free Guy' combines classic Disney (a white heteronormative love story), exploration of popular video games and the culture around them, and Ryan Reynolds adult humor in the best way to make a super fun family flick.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
A South Korean romantic drama film that brings a strong first love story.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
We are constantly being pushed to move on from mishaps and negative feelings. What happens if we're not ready to do so?
