The Electrifiers won the 1984 Best New Artist Award for a smash hit which no one remembers, and have been stuck in traffic on the fast track to international stardom ever since. Thirty years later, the band members continue to drag themselves between gigs at nursing houses and cheap B&Bs while their lead singer still believes he is a 20-year-old rocker. But just as everyone is about to become completely fed up with him, a surprising opportunity presents itself, which could propel the Electrifiers straight to the top.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
