'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

Odesa in the early 2000s. A few local residents go to the cemetery to remove the monuments of famous Odesa citizens. All along the way, they encounter phenomena and people characteristic of the city.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.